November 8, 2009

The nexus of painting and writing

Language is the medium. Words are the values. The imagination is the canvas. The artist applies layers of meaning with skill and precision; writing and rewriting until the masterpiece conforms to the intention of the artist. Or perhaps the artist conforms to the intentions of the masterpiece.

The words lay dormant on the page until confronted by the reader. Silently they lay in wait, like strokes of paint, reading to leap into the mind’s eye and tantilize the reader. Great writing, like great art, doesn’t entertain. It engages the viewer. The masterpiece lures us in and together we commune. The masterpiece whispers complexity and truth. We are invited to participate, to reply from our experiences and complexities. We moved beyond language into a union of the soul.

November 8, 2009

Trifles and other things that keep me from writing

This has been a thoroughly frustrating week for writing. I had planned to rework a Rembrandt Parable, then record it as a podcast. All that changed when I reread my story for an audience Sunday night. There are few things so terrifying as reading a story for a group of people and discovering I have to improvise several sections. The tepid response validated my suspicions.

The several attempts to settle down with my story were thwarted by the myriad of trifles that impose themselves on our lives. I was finally able to sit down with my story for a few minutes this morning. It still hasn’t met with my satisfaction. So, the struggle continues.

October 29, 2009

Namesake

A few years ago we decided to purchase a car. When I applied for the loan I discovered the existence of another person in town who shared my name. I also learned that my namesake has a very poor credit history. In order to secure the loan I needed to sign an affidavit promising I wasn’t the other person.

Just this week I met someone who actually knows my namesake. I learned that this other person actually stole from his own mother. He has a criminal record and has established quite a notorious reputation in the city. I couldn’t help but wonder how much of that reputation has unintentionally splashed on me. I wonder if there are people who hear my name and automatically associate me with this other scoundrel. A good name is valuable. How unfortunate would it be if my reputation was tainted because of someone whose only connection to me was a name.

It’s very disconcerting.

October 24, 2009

Daniel’s honesty

I’ve been spending my devotional reading in the book of Daniel. Once you past the great stories surrounding Daniel and his three friends you come to Daniel’s apocalyptic visions. I’ve always struggled with visions of the end times, mostly because I have no idea what they mean. Perhaps even more frustrating are those folks who are more than happy to explain them.

What I find so refreshing with Daniel is that he shares my confusion. After one vision he confesses that he doesn’t understand what it could possibly mean. The other vision bothered him so much that he kept it entirely to himself. It’s refreshing to discover a Biblical character who is so honest. I think it would serve the modern church to embrace his example. Why do Christians insist on explaining everything in the Bible, especially concerning passages that lack clear meaning? (I’m specifically referring to those that point to the future.) Acting with authority is not the same thing as owning it. Perhaps an honest, “I don’t know” would be more of an appropriate response than some convoluted explanation that is based on an interpretation that lacks any substantial foundation. It’s better to be honest than to appear right.

October 17, 2009

But would you put it on your wall?

I’ve taking this painting class at the local community college. So far it’s been a great learning experience. The greatest challenge I’ve faced this far is translating my imagination onto the canvas. I’ve also learned the truest test of art appreciation. Most people, when examining someone else’s work, will say how much they like it. I don’t want to claim that most people are being disingeuous when they say that, but flippant praise does seem to be the norm. I’ve discovered that the truest praise the willingness of someone to hang your work on their wall. That means they think enough of your work to make it part of their daily experience. And, just in case you’ wondering, no one has done that with my work. Not yet, anyway.

October 16, 2009

The craft of writing

The other day I was watching a PBS documentary entitled Craft in America. It showcased the talented crafts folk who were preserving and even reviving a wide variety of crafts that in modern times have been overwhelmed by the monotony of automation. I was particularly enthralled by a weaver in California named Jim Bassler. Weaving itself doesn’t interest me. What attracted my attention was his attitude toward his craft. The greatest value of his art was the process, not the final product. He enjoyed the intricacies of weaving. While the actual textile was the focus, he wasn’t in a hurry to finish it. That approach freed him to produce incredible textiles. He could take his time to experiment and perfect his technique without feeling the stress of a deadline.

I found this perspective surprising and liberating. I don’t write for a living. As things progress it appears as though I never will. Perhaps I should refocus my craft, enjoying the process and worrying less about the completion. The more I think about it, the more I’m drawn to the idea. Wouldn’t it stand to reason that my best work would be produced when I’m at my most passionate and at ease? Writing becomes less of a commodity and more of a craft. Once it reaches that point, each story becomes a work of art. That is when writing becomes meaningful.

October 11, 2009

Contentment before thanksgiving

I recently saw a TV commentator who encouraged people to pause and give thanks, especially when we consider those less fortunate. That’s not the first time I’ve heard someone phrase thankfulness that way. It makes me wonder why we need to compare ourselves with the less fortunate to feel thankful. Its as though thankfulness is contingent on the state of those around us. That seems to reflect arrogance more than thankfulness.

It seems to me that genuine thankfulness requires contentment. We need to be thankful because what we have is sufficient. It’s enough. Thanksgiving isn’t about what happens to us but how we respond to life. It’s proactive instead of reactive. Its an approach to living, a life style that can not be confined to a single event or yearly celebration. We are thankful because we are content. It isn’t until we acquire contentment that we can appreciate thankfulness.

All that being considered, I wrote a brief list of a few things for which I am thankful:
door knobs, copper pipes, acrylic paint, a really fine ink, watch gears, bird feeders, eye glasses, coffee, novels by G.K. Chesterton and P.G. Wodehouse, paper, smoke detectors, WIFI, history, weaving, yellow raspberries, time, creativity, helvetica font, colour, islands, elevators, dogs, hope, faith, reason, wood flooring, pillows, mystery, football

October 5, 2009

A new Rembrandt offering

I’ve changed the story on my second page. This is the latest Rembrandt parable. I hope you enjoy!

October 1, 2009

Thanks, not rights

As we approach the season of Thanksgiving I’m left to wonder, what useful purpose does it serve to give thanks? How does giving thanks advance our cause or serve in self-actualization? As we collectively morph into a society where individuals exist only for self aggrandizement, where the only things worth doing seem to mean the only things worth doing to please myself, where does thanksgiving fit? If anything, an attitude of humble appreciation stands in sharp contrast to the mentality of entitlement. After all, why should I be grateful for things I naturally deserve? If everything is viewed as a matter of rights, even human rights, how could we possibly allow ourselves to denigrate what belongs to us as a matter of course? We do not seek privileges, but rights. Gratitude is not required.

Perhaps thanksgiving stands as a corrective to a flawed world view. The world doesn’t owe us anything. Healthcare, education, freedom from discrimination, the ability to grow and advance are not truly rights. Most of the world lives without the assurances of comfort and support. The rights of all humans, while nobly articulated in documents and declarations, bear little weight in the real world where self interests collide and power struggles that have existed since the time of Cain and Abel continue to fracture homes and families.

Thanksgiving reminds us that in this world there are few guarantees. The few things are guaranteed tend not to be pleasant. Thanksgiving reminds us that there is a God who provides for us out of the richness of his grace. He sustains the fragile little ball we call our temporary home and we are blessed with an invitation to stay. Thanksgiving reminds us that our focus needs to be on something beyond us, wholly other and transcendent. Thanksgiving reminds us that what we have received is well beyond what we deserve.

In a world bombarded with illusory rights, thanksgiving reminds us of grace and mercy and blessing. It draws us into a relationship with the Divine, the Holy God. It reminds us of the sacrifice of God to reconcile us with Him. We are called to that same sense of sacrifice in our relationships with others. Thanksgiving reminds us that like is not about what you gain, but what you give, both to God and to others. Only those who are thankful understand the eternal perspective to love.

September 29, 2009

To nanowrimo or not to nanowrimo

This week I realized that it won’t be very long until we’re back into the writer’s holiday known as Nanowrimo. I was introduced to the phenomenon two years ago. National novel writing month is a great motivational tool for writers who struggle with procrastination. I approached as a personal challenge. I wanted to see if I had what it takes to write a full fledged novel. Up until that time I’d only written short stories and articles.

Two successful nanowrimo years later I’m wondering if I want to start another writing marathon. It’s not that I have nothing left to write. If anything I have too much. I have too many projects left unfinished. Perhaps My efforts would be better spent editing what I’ve already produced. On the other hand, nanowrimo is a whole lot of fun.

It’s the classic question: should I focus on the immediate joy of nanowrimo or slog through the editing process with the hope of long term satisfaction? Fortunately I have a little over a month to decide.